Minggu, 31 Agustus 2014

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The Mammals of Luzon Island: Biogeography and Natural History of a Philippine Fauna, by Lawrence R. Heaney, Danilo S. Balete, Eric A. Rick



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The Mammals of Luzon Island: Biogeography and Natural History of a Philippine Fauna, by Lawrence R. Heaney, Danilo S. Balete, Eric A. Rick

Revealing the astounding mammalian diversity found on the largest Philippine island, The Mammals of Luzon Island is a unique book that functions both as a field guide and study of tropical fauna. The book features 120 fully illustrated species profiles and shows how the mammals fit into larger questions related to evolution, ecology, and biogeography. Luzon’s stunning variety of mammals includes giant fruit-eating bats; other bats so small that they can roost inside bamboo stems; giant plant-eating rodents that look like, but are not, squirrels; shrews that weigh less than half an ounce; the rapidly disappearing Philippine warty pig; and the long-tailed macaque, Luzon’s only nonhuman primate.

While celebrating Luzon’s remarkably rich mammal fauna, the authors also suggest conservation strategies for the many species that are under threat from a variety of pressures. Based on a century of accumulated data and fifteen years of intensive study, The Mammals of Luzon Island delivers a message that will appeal equally to scientists, conservationists, and ecologically minded travelers.

  • Sales Rank: #563751 in Books
  • Published on: 2016-02-29
  • Original language: English
  • Number of items: 1
  • Dimensions: .90" h x 8.10" w x 10.10" l, .0 pounds
  • Binding: Hardcover
  • 304 pages

Review

... a very much anticipated work indeed for naturalists interested in [island biogeography].

(The Well-Read Naturalist)

A must have for those with an interest in the mammals of the region.

(The Birdbooker Report)

About the Author

Lawrence R. Heaney is the curator of mammals at the Field Museum of Natural History. Danilo S. Balete is a research associate at the Field Museum of Natural History. Eric A. Rickart is the curator of vertebrates at the Natural History Museum of Utah.

Most helpful customer reviews

1 of 1 people found the following review helpful.
A Magnificent Book
By Jim Cootes
Let me start this off by saying my knowledge of Philippine mammals is minimal (at least before reading this book). My interest is in orchids of the Philippines, and the wonderful natural diversity that can be found in the Philippines.

This book is a major contribution, to our knowledge of the mammals of the island of Luzon, in the Philippines. It is it is written in an easy to read and simple to understand style. The illustrations are clear and concise illustrating each species perfectly. Not only are there images of the many mammals, but also of their various habitats.

The book is in two parts: Part One discusses "The Biogeography of Diversity" and is divided into 8 chapters beginning with "The Mammals of Luzon" as known between 1895 to 2012; next is a chapter on the Climate and Habitats; followed by Discovering Diversity; then Geological History and Fossil Mammals; chapter 5 is about Producing Diversity: Speciation and Diversification; following is a chapter on Habitat Disturbance and Invasive Species; next is Conservation of Luzon's Mammalian Diversity; and Part one finishes off with "Synthesis: Biogeography Theory and the Mammals of Luzon."

Part Two is of "Natural History of Luzon Mammals." It is in this part of the book, where all the known mammals of Luzon are discussed, and briefly described. With each description there is a colour drawing of the species concerned, plus a map of the island of Luzon showing where the species occurs. For some species there are colour photographs of the animal taken in natural habitat. For a number of the species there is only an illustration of the head.

If you are interested in mammals, this is a must have book and it will embellish any libray.

1 of 1 people found the following review helpful.
Bless my library, I could never afford this book ...
By lyndonbrecht
Bless my library, I could never afford this book and likely would not otherwise have read it. It's a fairly technical book, some of it beyond my limited background in the subject. It is informative, though.

Luzon is the big island where Manila is located-of the thousands in the country. Heaney is part of a team that has studied mammals on the island, so he--and they--know the subject well. Luzon has quite varied topography, including numerous mountain areas, so the growing population (42 million people on Luzon at this point) may affect lowland and arable areas hugely but mammals persist and in some areas prosper. The island has some interesting residents, but a relative poverty of native carnivores or large mammals. Most of the diversity is provided by bats, cloud rats and earthworm mice. There is a native deer and a native pig, and humans apparently long ago introduced civets and macaques. There are of course the usual intrusive species of rats and mice and such, but these have not wiped out much of the native fauna--the book speculates that the native species are used to stress from a natural regime of frequent typhoons, volcanic activity and earthquakes.

The book is really two parts. The first is almost a textbook, discussing environments, change, various habitats, habitat change, human pressures (such as timber cutting, clearing for agriculture, poaching, pollution), and then a guide to the species--the bats, rats and mice mostly. The descriptions are short but well done. It's not a pocket guide you'd take on a walk in an upland forest, but it gives a vivid sense of the animals.

The book is rather optimistic about the future. Heaney thinks that conservation would become more of a concern if educational programs were coupled with a sense of pride in what is unique to the island. Average family size is dropping and fully a quarter of the work force works outside the country, the remittances home increasing prosperity and easing human pressure on the environment.

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Rabu, 27 Agustus 2014

[N148.Ebook] Free PDF White Collar: The American Middle Classes (Galaxy Books), by C. Wright Mills

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White Collar: The American Middle Classes (Galaxy Books), by C. Wright Mills

A penetrating sociological and psychological study of the new middle class that comprise the backbone of modern American society.

  • Sales Rank: #846960 in Books
  • Published on: 1956-12-31
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .80" w x 5.25" l,
  • Binding: Paperback
  • 400 pages

Most helpful customer reviews

14 of 15 people found the following review helpful.
Timeless
By Archer26
C. Wright Mills classic treastise on white collar jobs in middle class America is as concise today as it was 50 years ago. His incisive summations on capitalism are true to their word, the current actions by corporate America happened then and once again history repeats itself. A must read for Sociology and Business students as a cornerstone for the corportate world.

0 of 0 people found the following review helpful.
We clearly haven't come very far.
By Robert Brett Curtiss
An incredible and readable book that has not lost any of its relevancy or insight in the over half century since it was written.

0 of 0 people found the following review helpful.
Four Stars
By Amazon Customer
This is pretty worn but is still in tact and able to be read again.

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Selasa, 26 Agustus 2014

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Regions of Risk: A Geographical Introduction to Disasters (Themes In Resource Management), by Kenneth Hewitt

An introduction to hazards, human vulnerability and disaster, paying particular attention to the more severe or novel risks and disaster that affect the general public. The book is split into two parts, the first of which gives an overview of the field of risk and disaster in terms of three perspectives: hazards perspective; vulnerability perspective and the active perspective. The second part illustrates and develops these ideas in relation to some of the more severe dangers and disasters of the twentieth century, for example, earthquake risk, cities at risk and the civil disasters of war.


  • Sales Rank: #2864756 in Books
  • Brand: Brand: Routledge
  • Published on: 1997-02-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x 8.75" w x 6.25" l, 1.26 pounds
  • Binding: Textbook Binding
  • 410 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

2 of 2 people found the following review helpful.
BASIC TEXT
By Severin Olson
In many respects, this is a geography text so basic it would almost be inappropriate for a 101 college class. We are told throughout that earthquakes involve violent shaking and can take lives, that people living near the coasts are vulnerable to hurricanes, and that avalanches tend to happen in mountainous regions. Anyone who doesn't know this much should avoid a career in geography to be sure. The author switches gears in the chapter on wartime bombing, giving valuable facts, figures, and analysis. This is likely his area of specialty. It is also the only part of the book likely to interest the reader.

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Minggu, 24 Agustus 2014

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‘Making’ is the next generation of creating. It’s the union of traditional techniques, from print-making and jewellery-making to knitting, with cutting-edge technology, often yielding astonishing results, such as laser-cut jewellery and 3D-printed porcelain. ‘Maker Spaces’ takes an in-depth look inside 13 beautiful homes, studios and workspaces of the pioneering creative minds of some of the best-known makers, from a colour-filled, uplifting studio space in super-trendy East London to the retro reverie of a stunning San Francisco apartment. Their clever styling ideas and imaginative, ingenious creative spaces will delight and inspire in equal measure. ‘Maker Spaces’ also includes examples of the incredible things that their owners create, as well as advice on how to turn your ideas into beautiful products. This innovative, engaging book will give you the ideas and impetus to create inspirational and achievable interiors, fresh from some of the most exciting and dynamic designers in the world right now.

  • Sales Rank: #788182 in Books
  • Brand: Quinton, Emily/ Cathcart, Helen (PHT)
  • Published on: 2015-04-09
  • Released on: 2015-04-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.50" h x .90" w x 7.50" l, 1.65 pounds
  • Binding: Hardcover
  • 176 pages

About the Author
Emily Quinton is a professional photographer, blogger and maker. She photographs and writes about craft, interiors, and the lifestyle of being a maker; her crafting projects regularly feature in magazines and on high-profile blogs. Emily has amassed a significant online following and she regularly receives over 1,000 ‘likes’ for her posts on Instagram. This is Emily’s first book for RPS.

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2 of 2 people found the following review helpful.
Beautiful book about inspiring interiors
By Mustardseed
What a beautiful book. It's a lovely and interesting concept - after all, who doesn't like a little peek into other people's lives - but also an inspiring one. It's fascinating to see the way that different creative types work, and the spaces that allow them to produce their best work.

Emily Quinton has an easy, engaging and accessible writing style which makes this a book that you can either dip in and out of or sit and read from cover to cover without losing interest. Her text is beautifully accompanied by Helen Cathcart's photos.

I'm going to be giving this book as a gift to many friends!

0 of 0 people found the following review helpful.
Five Stars
By Trillian Locke
Love the book. It will be close at hand with my other crafty and crafty places books.

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Kamis, 21 Agustus 2014

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Liber Floridus 1121: The World in a Book, by Karen de Coene

A facsimile of one of the most valuable and rare manuscripts shows the perception of the world by people in the twelfth century.

  • Sales Rank: #4345728 in Books
  • Published on: 2012-02-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.23" h x .59" w x 7.66" l, 1.75 pounds
  • Binding: Paperback
  • 192 pages

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2 of 2 people found the following review helpful.
Interesting Book
By Big Pop
I bought this as a gift for my son who is an artist and IT professional. He raved about it so it must be good. It's pricey, but then most high quality, limited printings are.

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Rabu, 20 Agustus 2014

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Selasa, 19 Agustus 2014

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The Vagrant, by Peter Newman

The Vagrant is his name. He has no other.

Years have passed since humanity’s destruction emerged from the Breach.

Friendless and alone he walks across a desolate, war-torn landscape.

As each day passes the world tumbles further into depravity, bent and twisted by the new order, corrupted by the Usurper, the enemy, and his infernal horde.

His purpose is to reach the Shining City, last bastion of the human race, and deliver the only weapon that may make a difference in the ongoing war.

What little hope remains is dying. Abandoned by its leader, The Seven, and its heroes, The Seraph Knights, the last defences of a once great civilisation are crumbling into dust.

But the Shining City is far away and the world is a very dangerous place.

  • Sales Rank: #1393566 in Books
  • Published on: 2015
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.54" h x 1.61" w x 9.02" l, .60 pounds
  • Binding: Hardcover

Review

★★★★★ 'For fans of classic science-fiction literature, this is a must-read.' – SciFi Now

★★★★ 'Come visit this brilliantly imaginative land of winged swords and broken solar cells.' – SFX

‘The Vagrant is a joy to read: an original and engrossing world, a strong story and a protagonist who is intensely charismatic despite – or because of – his silence. Newman’s debut is written with confidence, flair and imagination, bringing his dark world to marvellously macabre life’
Adrian Tchaikovsky, Author of Shadows of the Apt series

‘A stunning and ambitious debut novel set in a unique and imaginative world where the only hope rests on the capacity of human beings to love’ Melinda M. Snodgrass

About the Author

Peter Newman lives in Somerset with his wife and son. Growing up in and around London, Peter studied Drama and Education at the Central School of Speech and Drama, going on to work as a secondary school drama teacher. He now works as a trainer and Firewalking Instructor. He sometimes pretends to be a butler for the Tea and Jeopardy podcast, which he co-writes, and which has been shortlisted for a Hugo Award.

Most helpful customer reviews

46 of 52 people found the following review helpful.
Actions Speak Louder than Words
By TOMunro
I bought this book at a book signing in the UK and am re-posting my review of it from the amazon.co.uk site here.

I note that the price tag on the e-book has put people off and I have no brief to bat for Harper Collins, on that. It does seem a bit steep. But I did enjoy the book and, seeing that a couple of reviews seem to be comments just on the price, I thought I'd add one that was based on having read the book.

At the Grim Gathering, Peter gave a short summary of his book "A one parent family in a post-demonic apocalypse." Look closely at the exquisite cover and you will see the key elements in this tale. A ragged man with a sword in one hand and a baby in the other walking a street of ruined buildings above a title set out in neon lights. Before the first page is turned, the book is challenging expectations.

I did not find it so plot driven as Starborn was. There is a story line, and a back-story line. By the end the latter has converged pleasingly on the former to explain all things that need explaining. But it is the spare writing, and the exoticness of the world building that carried me along.

In some ways it reminded me of the Gunslinger by Stephen King and its iconic mental image of an enigmatic hero on an unexplained journey through a blasted land. This is a world not so much stalked as comprehensively mugged by disaster on an epic scale. On a long walk the protagonist acquires a staggering variety of both allies and enemies.

However, it is more complete and self-contained than the first instalment of the Dark Tower series. At the Grim Gathering, the author said he always had a beginning and an end in mind and a misty patch inbetween where pretty much anything could happen. That overarching certainty guides the Vagrant's footsteps and reassures the reader that there is purpose in the present and resolution in the future.

The world building is broad and imaginative, in that not just one but two worlds are conjured up before the reader. There is the world that was. A world destroyed, the advanced civilisation where ships sailed in the sky and tanks like armoured trains went to war with demons, where knights still wielded swords in harmony and the mysterious power of the Seven, with their great champion Gamma, stood ready and on ceaseless and unchanging watch against invasion from the Breach.

Then there is the world that is. A world infested with entities which enslave the humans from without and within. Creatures of chaos flood north across a now benighted continent. Their power is constrained only by infighting between their factions and the necessity of finding ways to shield themselves from the toxic environment where they have won victory. These demons are unlike any others, creatures of essence and desire, rather than corporeal entities. More an infection than an invasion, they corrupt as much as conquer. A taint stains the land and its people.

My other reference point is a 1981 film Mad Max 2, the (original) road warrior. There is that atmospheric journey through a shattered civilisation in which little islands of humanity strive to eke out some shadow of their former existence. Broken technology is cannibalised by desperate people as the Vagrant travels North past a barren landscape of twisted plastic and metal on a mission both personal and professional.

The people have been crushed by defeat and by taint. Things that were, or could have been human, have been corrupted beyond recognition. But still sparks of humanity and honour reside in the unlikeliest of places and can be kindled anew in a world where there is hope for all, and tears for those that fall.

The story is told in the present tense, even the backstory flashbacks. It is an approach still unusual to my old eyes. However, I saw it done to great effect in "The Girl With All The Gifts," and here - as there - the present tense narrative lends an edgy uncertainty as we follow our hero through a tale augmented with a variety of minor points of view (including a goat's uncomplicated eye).

The writing is unobtrusively good. Like Mark Lawrence's writing, Peter Newman's avoids battering you with purple prose, or savouring its cleverness in convoluted gymnastics of vocabulary. But open a page at random and you will find lines that make you nod in appreciation. "mist leaking in wheezy clouds" "Busy clots of people move about"

The final departure from convention, or perhaps the first is in the protagonist's voice. For Newman has determined that for the Vagrant, actions must perforce, speak louder than words.

6 of 6 people found the following review helpful.
enjoyed the journey a great deal
By Sneaky Burrito
This book was just my style. I hate excessive explanation and description and background information, and far too often, fantasy is clogged with these. But here, you're thrown into the middle of events. Things are mentioned in asides about a taint, limb grafts, etc., and at first you're just along for the ride, but enough of these details emerge over time to paint a more complete picture of this book's society. I have heard Mr. Newman's prose compared to Glen Cook's, and I think if you like Glen Cook's writing, you will enjoy this book.

The atmosphere is bleak and the main character, the Vagrant, matches it. He has a singular purpose -- journeying with a baby to a city that has not fallen to the rot and corruption known in the rest of the world. He allows people to join him on his journey, but they don't always make it very far. When they betray him, become dangerous to him and/or the baby, are not strong enough to go on, or cannot be saved without sacrificing himself, he kills them or allows them to be killed. He is absolutely not trusting when it comes to the baby's welfare.

At the first instance of a relatively innocent person dying, I was taken aback. But just because the Vagrant allowed this to happen, doesn't mean it is easy for him. And, as the book goes on, we learn some of what led him to be this way (through a series of flashbacks). Further, there is a kind of honor in at least some of his actions that you come to appreciate as you approach the end of the book.

One thing that I have not mentioned yet is that the Vagrant is mute. You might think that this would make for an uninteresting book, but quite the opposite is true. When he is traveling with the baby, there is no need for speech. However, the Vagrant's actions speak loudly both in his interactions with the baby and with others. And he does acquire a mouthpiece of sorts as the book goes on. The book still moves along, even without much dialogue, or with one-sided dialogue from other characters.

I was not as happy with the ending -- it seemed anticlimactic after the journey leading up to it. I hesitate to say more because to do so would be to drop some pretty major spoilers. There was also one aspect of the main character I am still puzzled by, but seeing as the world outside of the Vagrant's destination is still pretty messed up, there is definitely room for sequels where perhaps the reason for that aspect will be revealed.

I won't say this type of book hasn't been done before. I can think of a half dozen parallels off the top of my head. But the particular combination of details here kept my interest, I thought the pacing was appropriate, and I liked the terse prose. (I also loved the goat...) I will definitely read more from Peter Newman.

11 of 13 people found the following review helpful.
A great tale of a lone knight, a baby, and a goat
By D. Schwent
A sword-wielding mute, a baby, and a goat cross a post-apocalyptic landscape, heading for the Shining City. But will they reach their destination before the demonic horde on their trail overtakes them?

After reading about this book on Chuck Wendig's blog, I couldn't wait to dig in. However, at the time, Harper Voyager wanted $20 for the e-book. Since everyone knows that's a steaming pile, I held off until I found a new hardcover and I'm quite pleased with my treeware purchase.

The story of the last of the Seraph Knights is quite good, though on the surface doesn't look all that original. At first glance, it reminded me of Jay Posey's Three and Peter Brett's The Warded Man, with heavy doses of The Gunslinger. However, The Vagrant kicked me in the junk.

The way the story unfolds is masterful. You don't notice how much of the text in a lot of novels is dialogue until you come across a book where the three lead characters don't speak. As a result, it seemed like I wasn't making any progress in the book a lot of the time. The reading experience was a rewarding one, though.

Peter Newman's writing was superb and having to infer the Vagrant's nature and motives from his actions elevated the reading experience quite a bit. I never thought I'd get this attached to a nameless baby and a goat. The worldbuilding was interesting, mostly through the dialogue of the characters around the Vagrant and his gang. There were some infodumps in the form of flashbacks but they were easily digestible.

I don't really have anything bad to say about this book. It's a more difficult read than most fantasy books out there but it's also more rewarding. Four out of five stars.

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Sabtu, 16 Agustus 2014

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The Ancient Near East: History, Society and Economy, by Mario Liverani

The Ancient Near East reveals three millennia of history (c. 3500–500 bc) in a single work. Liverani draws upon over 25 years’ worth of experience and this personal odyssey has enabled him to retrace the history of the peoples of the Ancient Near East. The history of the Sumerians, Hittites, Assyrians, Babylonians and more is meticulously detailed by one of the leading scholars of Assyriology.

Utilizing research derived from the most recent archaeological finds, the text has been fully revised for this English edition and explores Liverani’s current thinking on the history of the Ancient Near East. The rich and varied illustrations for each historical period, augmented by new images for this edition, provide insights into the material and textual sources for the Ancient Near East. Many highlight the ingenuity and technological prowess of the peoples in the Ancient East. Never before available in English, The Ancient Near East represents one of the greatest books ever written on the subject and is a must read for students who will not have had the chance to explore the depth of Liverani’s scholarship.

  • Sales Rank: #605765 in Books
  • Published on: 2014-02-06
  • Released on: 2013-11-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.69" h x 1.46" w x 7.44" l, .0 pounds
  • Binding: Paperback
  • 648 pages

Review

‘In the original Italian edition of this work, Liverani defined and applied, with the touch of a master, the criteria for proper historical writing as it relates to the ancient Near East. This English version will extend the reach of a classic to the much wider audience it deserves.’ - Giorgio Buccellati, Professor Emeritus, University of California, USA

‘Mario Liverani’s classic text is as unusual in its ambitious chronological scope as in its clarity of vision: from the Neolithic to the emergence of the Persian Empire, his analysis of the history of the Middle East is firmly focused on the interplay between society, economy and ideology. And yet, the vast learning is lightly worn and the volume offers a hugely enjoyable and eye-opening read for novice and expert alike. A must have for anyone with an interest in world history.’ - Karen Radner, University College London, UK

‘The English translation of Mario Liverani’s Antico Oriente: Storia, Società, Economia is a welcomed addition to the publishing world and Routledge has truly done us a great service in making this project possible. Since its appearance in 1988, Antico Oriente has become the introduction to the ancient Near East … The author breezes through an astonishing amount of data and material with ease, and he makes it accessible to the scholarly and general public alike. This is a wonderful book, which will make readers fall in love with the wonders of the ancient Near East, and at the same time provide them with a firm grasp on the methodological problems one faces when dealing with such a complex but fascinating world.’ - Alhena Gadotti, Towson University, USA

"Masterfully integrating textual and archaeological sources, the author weaves a fascinating, enlightening historical narrative, focusing throughout on the interplay among politics, society, economy, ideology, and the environment. Accessible not only to scholars but also to students and general readers, this volume will undoubtedly be highly valued both as a work to read cover to cover and as a reference to consult on specific topics. Summing Up: Essential." -W Kotter, Weber State University, USA in CHOICE

"Liverani, the translator Soraia Tabatabai, and Routledge have gifted us with an excellent tool for the continued reconstruction and education of the ancient Near East in English…The Ancient Near East provides an exemplary treatment of historiographic erudition.." -C. Jay Crisostomo, University of California, Berkeley, USA

About the Author

Mario Liverani is Professor of Ancient Near East History at the Sapienza University of Rome, Italy

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3 of 3 people found the following review helpful.
Pricey, but still worth it.
By Doricini
Yes, this tome cost forty plus dollars but I never considered that an issue. I spent nearly 5 months reading this book; normally by that time I would have become bored with the subject and moved on to something else. And yes this book provides a general overview of the Middle East but it also provides just enough detailed information that if you find something interesting you won't go wondering off looking for another source to fill your need.

1 of 1 people found the following review helpful.
Excellent, valuable, and must-read
By Noj Nagotsch
There are many textbooks written pertaining to the study of Ancient Near East (ANE), and mostly in the area of culture, archaeological discovery, and anthropology. The history of ANE has been gently squeezed out of the field by these counterparts, and with the difficulty in establishing a comprehensive history of the ancient past, the study of the history of ANE has been further removed from the scholarly platform. Mario Liverani’s The Ancient Near East: History, Society and Economy is a timely attempt to overcome this indifference of the history of ANE, which is laudable. Below are some comments on this excellent work.

(1) This is a good presentation of Ancient Near Eastern history, as it covers the historical periods from Neolithic and Chalcolithic to Persian Empire in a comprehensive manner.

(2) This should help to revive the study of ANE history, which is losing its ground to archaeology, anthropology, and ancient culture. History is essential to interconnecting the developments in the ancient pasts, and it provides a platform for archaeological discovery, anthropological study, and ancient cultural study, to shape the ancient world, which is often too distant from 21st century moderns. Liverani’s focus on the history, society, and economy enhances the formulation of the ANE world.

(3) The historical contexts provided in Liverani’s ANE have much to contribute to Old Testament studies. The background information helps to paint the OT in the light of the historical developments behind the biblical texts. For example, Liverani’s ANE has shown a vivid picture of Israel in the contexts of the historic Near East, and that comparatively, it is a much smaller state than her counterparts in the ANE.

(4) Particularly, the chapter on Israel, which is aligned with most critical scholarship, especially the minimalists, that the Bible is not the main source for ancient knowledge. Liverani does not seem to support the ideology that the Bible as the source for reconstructing of Israel’s history, but the history of the Near East should be consulted in order to accomplish that. Livernai does provide the historical contexts for the study of Israel’s biblical history.

Overall, it is a good textbook for the study of Near Eastern history. I highly recommend this book, and shall give it 5 stars.

0 of 0 people found the following review helpful.
Well written account of ANE history.
By Mark D. Hornbogen
This is a very well written account of the ancient near east through time. Full of details and easy to read. I am still reading it.

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Jumat, 15 Agustus 2014

[M335.Ebook] Download What Is Government Good At?: A Canadian Answer, by Donald J. Savoie

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What Is Government Good At?: A Canadian Answer, by Donald J. Savoie

Recent decades have shown the public's support for government plummet alongside political leaders’ credibility. This downward spiral calls for an exploration of what has gone wrong. The questions, "What is government good at?" and "What is government not good at?" are critical ones - and their answers should be the basis for good public policy and public administration. In What Is Government Good At?, Donald Savoie argues that politicians and public servants are good at generating and avoiding blame, playing to a segment of the population to win the next election, embracing and defending the status quo, adding management layers and staff, keeping ministers out of trouble, responding to demands from the prime minister and his office, and managing a complex, prime minister-centred organization. Conversely, they are not as good at defining the broader public interest, providing and recognizing evidence-based policy advice, managing human and financial resources with efficiency and frugality, innovating and reforming itself, being accountable to Parliament and to citizens, dealing with non-performers, paying sufficient attention to service delivery, and implementing and evaluating the impact of policies and programs. With wide implications for representative democracy, What Is Government Good At? is a persuasive analysis of an approach to government that has opened the door to those with the resources to influence policy and decision-making while leaving average citizens on the outside looking in.

  • Sales Rank: #2939945 in Books
  • Published on: 2015-09-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.10" w x 6.00" l, 1.54 pounds
  • Binding: Hardcover
  • 388 pages

Review
"What Is Government Good At? is a major contribution to research on Canadian government and the threats to Canadian democracy and public administration. Savoie writes with skill and flair and there are excellent and interesting insights in every chapter of this book." G. Bruce Doern, Carleton University

“Can we get a copy of Donald J. Savoie’s “What Is Government Good At? A Canadian Answer” onto the reading stand of every candidate for president of the United States?... Savoie’s book is not a prescription as much as it is a field guide to government and

"Savoie draws clear distinctions between what government is good at, largely those things it is uniquely placed to deliver – and a much longer list of things at which government is not good. Savoie makes a strong case that government must focus on its str

About the Author
Donald J. Savoie holds the Canada Research Chair in public administration and governance at the Université de Moncton and is the author of numerous books including Whatever Happened to the Music Teacher?

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0 of 0 people found the following review helpful.
Two Stars
By T. Wade
Not applicable to my interest

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Selasa, 12 Agustus 2014

[O666.Ebook] Download Ebook The Symbolic Imagination: Coleridge and the Romantic Tradition (Princeton Essays in Literature), by J. Robert Barth

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The Symbolic Imagination: Coleridge and the Romantic Tradition (Princeton Essays in Literature), by J. Robert Barth

Studying the nature of symbol in Coleridge's work, Father Barth shows that it is central to Coleridge's intellectual endeavor in poetry and criticism as well as in philosophy and theology. He finds symbol to be an essentially religious reality for Coleridge, one that partakes of the nature of a sacrament, especially sacrament as an encounter between material and spiritual reality. Father Barth notes that eighteenth-century poetry was by and large a poetry of metaphor rather than of symbol, a poetry of reference rather than of encounter. In close readings of the poetry of Wordsworth and Coleridge, he shows how they practiced and developed the poetry of symbol. Finally, analyzing the symbolic imagination, the author concludes that it is a phenomenon profoundly linked with the experience of Romanticism itself and with a fundamental change in religious sensibility. Originally published in 1977. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

  • Sales Rank: #1966665 in Books
  • Published on: 2015-03-08
  • Released on: 2015-03-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .39" w x 5.50" l, .55 pounds
  • Binding: Paperback
  • 172 pages

Review
aAn excellent study of the concept of asymbola in Coleridge (and Wordsworth), with specialaand entirely justifiedaemphasis upon the religious context of Coleridge's ideas about the symbol.a

About the Author

J. Robert Barth, S.J. is James P. McIntyre Professor of English at Boston College and is author of several books, including Coleridge and Christian Doctrine and co-editor of The Symbolic Imagination: Coleridge and the Romantic Tradition.

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17 of 17 people found the following review helpful.
Romanticism, Imagination and Samuel Taylor Coleridge
By David Bennett
Catholic priest Robert Barth outlines Samuel Taylor Coleridge's Romantic thought in a concise and easy to read manner. No, Coleridge was not just a poet; he was also a learned theologian and classicist. His Romantic thought consists of elevating the Imagination above mechanical reason, especially in theology. The Imagination is where we perceive symbol, and where we create symbols, such as in art, poetry, or music. When we create symbols, we participate in the creative action of God, the great "I Am." Thus for Coleridge, a worship service is a much better way to meet God than say, compiling a systematic theology. This is because the worship service appeals to the imagination through the symbols: bread, wine, stained glass, liturgy, music, etc.
Symbols are not "mere" representations. Symbols participate in the reality they symbolize, so that a handshake actually participates in brotherhood. A symbol, such as a handshake, is translucent and reveals eternal truth in the temporal. A symbol is almost synonymous with "sacrament," in that speaking a word of forgiveness, or breaking bread and wine, are symbols that point to actions and realities outside of themselves. While allegory fades and may be deconstructed, symbols are lasting and enduring, and are all somehow united with one another and God. Thus Coleridge owes much to neo-Platonism and the early Christian writers.
As an example of the differences between mechanical and imaginative perception, Coleridge believes that the mechanical mind only sees juxtapositions and order. A doctrine such as the Trinity seems absurd when perceived rationally, but in the imagination, the three and the one may "interpenetrate." This has implications for interpretation of the Bible. Chapter 6 of Barth deals primarily with this. Coleridge believes that literalists and anti-Christian scoffers all err, because they interpret the Bible in a mechanical way. They miss truths for words. Coleridge does not deny the historicity of the Bible per se, but believes that literal interpretation asks the wrong questions. Rather Biblical symbols, such as Jesus as both priest and sacrifice, while absurd to the literal mind, enrich the Bible's testimony when perceived by the Imagination.
This book is a great primer on Coleridge's thought. I seem to have been a kind of Romantic/Platonist since birth, so what Coleridge says resonates. Barth offers a clear summary of Coleridge's thought and current implications. If you have ever thought that mechanical "rational" thought misses meanings in life that you experience, Coleridge's philosophy might be for you. If not, buy it for historical study. The chapters are:
1. Theological Foundations of Coleridge on Imagination
2. Symbol as Sacrament
3. The Poetry of Reference
4. Poetry of Encounter: Wordsworth
5. Poetry of Encounter: Coleridge
6. The Scriptural Imagination
7. Symbol and Romanticism
8. Symbol and Religion: Past and Future

0 of 0 people found the following review helpful.
A Book about Literature, Not Just Coleridge
By A.E.M. Baumann
Yes, this book is about Coleridge's theory of "symbolic imagination" (which is not Coleridge's phrase, but is wholly apropos). But it in no way should it be considered useful only to people who are interested in Coleridge. And, yes, the book is about where Coleridge's theory of literature and his theories of religion meet, and Barth, appropriately, writes from the same point of view, with the religious aspect as a key theme. But, it is also false to say that this book should be considered useful only to people coming out of a Christian or Catholic viewpoint. There may be a brief moment or two (in the 2d edition) where it seems to me that Barth slips into Christian apologetics, but for the most part the religious aspect is as Coleridge himself would have intended it: as an exploration not of religion (or any one religion) but of the spiritual.

It is there, in the spiritual, in the primary engagement with being, that Coleridge anchors both his explorations of poetry (more correctly literature as a whole) and of religion; and, it is there that the book finds its value. Indeed, I recommend the book highly for anyone interested in literature, either from the reading side or the writing side. It is the kind of critical book that cannot help but open new avenues of exploration, especially in its presentation of the symbol as experiential (as opposed to hermeneutic). This is not some general criticism, some "how to read poetry." It is argument for and demonstration of why literature -- and art in general -- of the highest order is important to the development of the individual psyche in its being in the world.

It is, of course, also argument to what is literature of the highest order. Which is, of course, what the _Biographia_ is also about.

Since I had read the _Biographia Literaria_ just prior, I have a small qualm with me speaking about what degree of knowledge of Coleridge or the _Biographia_ is necessary to Barth's volume. The ideas of _Symbolic Imagination_ are presented out of themselves as much (if not more than) out of Coleridge, which seems to me the book's intent. This is not a book about Coleridge and only Coleridge; it is a book about symbolism, if symbolism from out of how Coleridge explored the idea, presented both theoretically and practically. Half of the volume consists of engagements with poetry as demonstration to Barth's basic discerning between what he calls "poetry of reference" (non-symbolic poetry) and "poetry of encounter" (symbolic poetry). As such, the book is as much about Coleridge's and Wordsworth's poetry as it is about their theories of poetry. Do you need more than a casual, literary knowledge of Coleridge to read this book? I do not think so. However, would I recommend this book to a novice in the world of literary criticism? Perhaps. I think the chapters on poetry of reference and poetry of encounter could be read by most everyone. The more theoretical chapters, however, may be difficult for a novice to grasp. But, then, the _Biographia_ is itself not what anyone would call an "introductory" text.

In sum: If you can escape the misconception of considering the book to be a defense of Christianity or a Christian theological text (both of which it absolutely is not), this book cannot but be a rewarding endeavor. I have been recommending it to my literature friends at every opportunity since the first reading.

*
A Note on Editions:

I have read both editions, in order. There is a substantial difference between the two. In the second edition, Barth adds a useful prologue on criticism written on Coleridge and symbolism since the first. Also, with the expected, minor rewrites, he modifies one chapter and adds two others, to the end of increasing the theological engagements of the book. To me, this increase is nonetheless within the bounds established by the original edition, even if it did change, somewhat, the reading of the book. The book's primary thesis (both editions) is the symbol as spiritual event, and as such as the place where literature (and literary theory) and religion (and theological theory) meet. For me, the change in the editions gives more balance to the exploration by giving more words to the theological side. The book was, originally, written as a study in literature _and_ religion: so the changes were for me appropriate. Do not, however, take this as saying the second edition decreases the literary-critical value of the book in its effort to increase the theological-critical value of the book. Barth's biases are always to the fore and as such are easily navigable: i.e., this is not a book by a Catholic for Catholics. It is the combining of literature and religion, that exploration of symbol as primary engagement within both, that makes the book -- and Coleridge's own thinking on the matter -- so interesting and profitable.

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[O666.Ebook] Download Ebook The Symbolic Imagination: Coleridge and the Romantic Tradition (Princeton Essays in Literature), by J. Robert Barth Doc
[O666.Ebook] Download Ebook The Symbolic Imagination: Coleridge and the Romantic Tradition (Princeton Essays in Literature), by J. Robert Barth Doc